Wednesday, September 10, 2014
Man of the Match (Elle Fiction Award Winning Short Story)
Wednesday, April 9, 2014
Torture devices for the modern woman
The woman looked harmless enough, dressed in a skirt and a top and a jacket. And yet there she was, brandishing a diabolic device the size of a small alarm clock. It was dark and metallic, and looked like a cross between clippers and scissors of the garden variety (literally). Oh wait, also a cross between a comb and a particularly effective murder weapon. Yes, it was that dangerous an object - a cross between FOUR things.
I was desperately trying to translate the word 'Help' into German in my head, when suddenly, without warning, the woman took the device and turned it upon herself. She raised it up, and I wondered how she was going to stab herself with the blunt end, when she raised it up even further and took it to her face. Maybe, I thought, it is just a very primitive microphone or something and she's going to break into a song. But then, she raised it even further to her eye, and I was so stunned, even the translating in my head stopped.
Next, she poked the device right into her eye and started what looked like plucking her eyeballs out. I let out a silent scream and clutched my eyes in horror. But you know how it is with horror movies. You HAVE to take a peek, right? And so, I looked. The woman was now giving a good work over to her other eye, and I began furtively looking for blood and empty sockets. To my dismay, a few minutes later, the torture ritual was over and the woman looked unperturbed and exactly like she looked before.
WRONG, said my female travel companions. She looked WAY different, even if I couldn't see it. You see, now her eyelashes were curled.
Saturday, April 5, 2014
Sunday, March 23, 2014
The Nationwide Political Debate
And here are the previous comics:
Women's day special: Please don't get me right, ok?
Secret Un-admirers
Wow! The blog is seeing some serious jump in traffic these days. Thanks for your patronage, all you guys :-). Just do me a favour - if you'd like to see more of something - posts on your pet peeve or comics about relationships or whatever, just leave a comment below any post, and I'll try to produce something.
Thanks guys!
Sunday, March 16, 2014
Sunday, March 9, 2014
Thursday, February 27, 2014
Quest for World Domination: Rediff Commenters
Friday, September 6, 2013
Madras Cafe: Truth ko intercept karo!
Ye ek sarcastic review hai.
Madras cafe ek amazing movie hai! Agar tumko life ka most annoying experience experience karna hai, to madras cafe mat watch karo.
maine madras cafe ki several aspects like ki, but sabse most movie ka absolute minimalism. Movie mein saari useless things remove kardi hain.
Secondly, casting: overacting avoid karne ke liye, unhone acting ko hi remove kar diya hai, and cast kiya hai india ke best ko. aur best se main mean karta hoon best mannequins - john abraham and...iske liye ruko... Nargis fakhri! Isse director ko complete freedom milta hai to dictate every facial expression, strings aur special effects use kar ke. (Iska help hua hai ki mannequin hi maker hai)
Firstly (naturally coming after secondly), editing ko remove kiya hai. kuchh-nahi hota hai sequence mein, movie ko ek unique narrative banate hue. Example ke liye, bomb make warne wala sit karta hota hai in his flat, bombs make karte hue, after the terrorists are far away with the bombs, hero-mannequin ka wait karte hue. Brilliant!
Thirdly, script. RAW ka agent kidnap aur expose hone ke after kya karta hai? 'undercover' journalist ke 'disguise' mein terrorist se milne jata hai. Wah wah! Movie ka key plot element hai ek mole. Lekin twist - enemy ko mole ki need kyun thi? Nobody ko pata hai! Awesome! Aisi many things hain, lekin maine apna point already make kiya hai. Scriptwriters... kaun need karta hai unko?
Fourthly, screenplay. Dialogue, storyboard sab passé hai. Agar tumko story tell karni hai, toh hero mannequin se only narrate karwao. Uske JD mein waise bhi acting included nahi hai, at least awaz se apne buck ke liye bang recover karo! Oh, main forget kiya! Buck bhi to usi ka hai!
Fifthly, hindi films ka sabse weak point - hindi. is review ka inspiration I ko movie se hi get hua hai. Maine ye learn kiya, ki agar hindi mein anything likhna hai, to english mein think karo, english mein write karo, aur some words hindi mein translate karo. Ye hai way karne ka!
Bottomline, movie achhi movie ke jaisi only dikhni chahiye. Achhi movie banane ka koi need nahi hai. Jaise ki movie ka crucial plot point - ek mole - pehle hi audience ko reveal kar do, aur end mein dramatically re-reveal karo. Aur ab is review ka sabse bada secret batane ka time come kiya hai:
Is ke liye ruko...
Ye ek sarcastic review hai!!!!!!
Friday, June 14, 2013
Go for the throat, buddy!
Monday, May 27, 2013
How to Prevent Arm-ageddon
Saturday, March 30, 2013
Work-life balance / Shirk-life balance
Monday, March 25, 2013
Diary of an Investment Banker
Sunday, March 10, 2013
How to Become a Sports Fan and Feed Your Terrier
Wednesday, March 6, 2013
A More Sustainable and Loser-Friendly Vigilante Model
Tuesday, July 19, 2011
In the rick of time
8.42 pm
This time I was cutting it too fine. For my usual 9.00 pm bus from Pune to Mumbai, I should ideally leave home by 8.20ish. Ideally. No rickshaws in sight. I'm running towards the rickshaw stand, and nothing there either. The situation is dire.
8.43
I wave frantically to a passing rickshaw and - oh thank you god - it slows down. But hey, there's someone sitting inside. Rickshaw-walla asks me where to and I yell "station!". He hesitates for a moment and jerks his head, inviting me in. I hesitate for half a moment and jump in. The figure in the auto quietly slips into the dark corner.
8.53
The guy's doing a great job, darting into empty alleys and swinging around bullock carts and sedans alike. I might just make it, but it's very close. I just hope the dark figure is getting off somewhere after I get off; I have no time! I steal a look at it as the rickshaw-walla is swinging around a car: it's darker this time. I don't even know if it's a woman or a man. BANG! Something just crashed into the rickshaw from behind. It was the scooter which he just cut across. I just hope there's no scene here - no time! Fortunately, our man zooms ahead, leaving the scooter behind. Thank god!
8.56
The rickshaw comes to a halt at a corner: oh no! Murphy, you! I hop out for the dark figure to get off. It's a man alright, but wait, is he - drunk?! Oh no, this doesn't look good. There's argument over the shared fare. The guy's making his way away without paying up, and the rickshaw-walla's jumping out to chase him. God, why? Thankfully the athletic rickshaw-walla catches up and begins negotiating. It's time I mediated and put some pressure on the parties to make it quick. Great, they've settled on something. I'm literally pushing the rickshaw-walla back into his seat, although he's clearly more interested in berating my fellow passenger, his family (apparently all drunk), his caste and all drunks in general. Finally he pulls the lever.
8.59
So here we go. Or do we? The scooter, by this time, has caught up and has begin another argument: I don't think he's insured himself or his vehicle. I'm pulling my hair by this time and very close to pulling the rickshaw-walla's. I'M GETTING LATE! GO, GO! I finally make empty threats to jump out without paying when the rickshaw finally takes off. It's now or never. I've already pulled out all the currency from my wallet.
9.01
I'm beyond comprehending time. I'm just hoping the rickshaw can fly fast enough to overtake light and somehow drop me there at an earlier time. Finally I get off, push all the notes in the ecstatic driver's palm, and make a mad dash to the bus, which is lazily beginning to move. I must have been quite an embarrassing sight, for everybody looked at me before getting down at the mid-way stop.
Saturday, January 15, 2011
Elevator Etiquettes for Healthy Living & Peace of Mind
- While exiting the elevator, always linger at the door for several seconds, taking in the fresh air, saying hi to someone waiting outside etc. That way people behind you get to spend more time in the elevator
- If you are a perfume user, spray yourself liberally, or better, take a quick dip in a pool of cheap perfume and then take the elevator from the top floor to the ground floor. The next occupants will be treated to a concentrated dose of the fragrance. This lasts for several hours. They used this technique in Nazi Germany as well.
- If you are the lift man, be very possessive of your buttons and let nobody touch them. Also lean in a way that nobody can see which buttons are pressed. Respond to floor requests with an imperceptible nod-cum-shake of the head. People love mysteries.
- If you are kid, or if if you're n adult and nobody's watching you, press all the buttons as you exit the elevator. The glittering array of round buttons looks so pretty!
- If you are visiting someone on the upper floors, save your good-byes till after the elevator stops on your floor, and then spend several minutes blowing kisses, exchanging new cell numbers etc.. That way you can share the love with those in the elevator. And the ones waiting on the floors below.
- Always use the elevator to go down from the first floor to the ground floor. Always.
- Household disputes should always be resolved in an elevator. Also discussions on Chachaji's younger son-in-law's new car should be had there.
- When going up, always stand right in front if you are getting off on the lower floors, and pretend to not understand "excuse me"
- If you are the liftman, frequently lock the elevator and take a chai-beedi break. And lastly,
- If you are the elevator himself, whenever summoned, head to the last floor in the opposite direction, linger there for a while, and then come back in slow-local style to the correct floor. Builds character in young men.
Monday, November 29, 2010
If God studied to become a Chartered Accountant: A tribute to the new Indian English author
I am greatly inspired by the young Indian English author. Their highly imaginative tales of adventures in IIT, IIM, FMS, Nirma, Thadumal Shahani, Choksy high school etc. fascinate me. The variety they think up is astounding. In this fit of inspiration, I myself have written a book. A book about the wonderful journey of a CA student. This is how the back cover of the book reads:
Raghu is a dreamy 18 year old whose dream is to become a CA and enter the high-flying world of drawing T-accounts. However he has no idea that this super-exciting journey is going to lead to him travelling to Baramati, staying up nights to solve the mysterious puzzles such as how to audit a cinema hall, dangerous brushes with the pre-test examiners and sleeping with his boss’ daughter
On his journey he makes some interesting friends: Alok who can’t stop studying, Ashok who can’t stop studying, and a mad and mysterious fellow called Rocky, who can’t stop studying.
Where will this dangerous journey lead Raghu? How will he escape his boss’ wrath? How do the complex relationships among these four friends evolve? And finally.. WHO IS ROCKY?Some snippets from the book:
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It was Saturday night. Like every Saturday night, Raghu, Alok and Ashok sat together studying for Sunday’s pre-test. For hours they debated on a single question: what is the difference between substantive audit procedures and compliance audit procedures? Rocky walked in, glanced at them and walked out. WHO IS ROCKY? The three decided they were hungry and that “they must eat”. But it was 4 in the morning, and they had no money. Alok had a mad idea, “Our office has a safe for petty cash. Boss gave me the key today to take money for ROC filing. Why don’t we break in through the window, take money from the safe and go eat something? We can replace the cash tomorrow”. Ashok suggested they make maggi at home. They ate maggi.
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“Why didn’t you boys point this out before? This is shocking”, said Batlivala aloud without covering the mouthpiece. Then he immediately switched to a polite tone, said niceties into the phone and hung up. Raghu and Alok’s boss was on the other side. This wasn’t the first time Batlivala screwed them like this. The boys did point it out before, but they couldn’t say anything. After all, Batlivala was their client. He was real mean. And his fart was really smelly. They were at the client’s office auditing, and this guy was making their life hell.
That day, they got their shot at revenge. The client was a pharma company. Some of their sample drugs were kept right there in the office. It was Batlivala’s tea time. They knew that he went to take a leak everyday just before he took his first sip. They waited for him to leave, and quickly but quietly stole into the store room. They looked at all the boxes kept there, and found a very interesting label on one box. Under a name that sounded greek was the word ‘laxative’. They quickly opened it and took out one bottle. Alok couldn’t stop smiling. He kept thinking to himself, only if Rocky were here..
The pair stole back into the office, rushed to their desk and wrote on their audit query sheet: “Test check of sample medicines revealed that expiry dates on some samples had already passed”. Raghu gave Alok a high five. “NOW he’s had it”, he said.
Who is Rocky?
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So this was the story of the four friends. They went on in life to become upright citizens. Raghu’s parents eventually found a nice girl for him and got him married. It was only a coincidence that she was his boss’ daughter. He slept with her soon after they got married. Alok works with an audit firm. He resolved his differences with Batlivala. Ashok wanted to do something completely different, something offbeat. He now works in indirect taxes. He still loves maggi. They never found out who Rocky really is.
Monday, July 12, 2010
Perfect Timing
Smashed skull, pool of blood, mangled limbs and lifeless eyes. That’s how Soumitra thought he would look five minutes later. But what did he care what he looked like once he was dead? And the morbid visual wasn’t some kind of daytime nightmare; it was just a writer’s way of seeing things. His mind still thought like a writer sometimes, although he wondered if he was even entitled to call himself that anymore.
Utter despair.
When Anagha left him two years ago – it would have been three in two days – Soumitra was devastated. His wife and his talent were all he had. Anagha had seen him through when he lost his mother in an accident. She was a lovely woman, Anagha was. Lovely, and caring. And he let her go. He knew it was also partly his mistake. He tried very hard to win her back, but she had mentally left him long ago. That year after Anagha left was the worst time in his life – until now.
Somehow, he stayed alive. After what seemed like forever, he finally decided to give himself another chance. He still had his words. He would write. Write for his readers, write for himself. Drown himself in his work, and he would forget her. And so he took pen in hand again.
But it was too late. He just didn’t know what to write. All he could think of were some obvious everyday observations and colourless characters that even he failed to remember the next day. It was terrible. This was not a mere writer’s bloc, it was a pathological paralysis of his creative faculties. He kept trying harder, but it just kept getting worse.
When he woke up that morning, realization dawned. It was almost two years, and he had written nothing. Absolutely nothing. Not a novel, not a short story. Not a word. Nothing had changed since last night, but his world came crashing down. He knew he had to accept his fate. He had lost the ability to write. He was nothing now. He had run out of money, he was alone, he had no talent and he didn’t even respect himself anymore. It was a waste of a life. There was no use living on, merely surviving. His life had to be ended. That was the only thing left to be done.
And there he stood, on the roof of his building, staring down at the road sixteen stories below. He waited a few seconds to feel his last feelings, but in vain.
Then he jumped.
Inspiration is a funny thing. Try as one might, it never comes when it ought to. It’s like cool breeze on a summer afternoon. One can sit at just the correct spot near the window or walk around in the garden, but one can never wish it to come. It comes at its own whim. It is thrilling when it comes, but one can do nothing but agonize till it itself decides to come.
A free falling object would take between three and four seconds to hit the ground from top of the sixteen storied building. Inspiration struck Soumitra after the first second. He had a full two seconds to get under the skin of his character. It was beautiful. It should have been obvious to him all along. Once he knew his protagonist, the story was easy. It probably ran in the back of his mind during those two seconds too, but in the fourth second he just knew what he had to write. The whole tale lay there, spread out on the road in front of his eyes.
During the fraction of a second before he hit the ground, Soumitra coouldn’t decide whether to die a happy man or a disappointed one.
















